Sunday, December 30, 2007

Vacation........Yes....

............will be back in a couple of weeks.....Greg :-)

Friday, December 28, 2007

For The Curious

Wednesday, December 26, 2007

Experience Music Forte's Gold Plan - RISK FREE!

Are you looking for a site to promote your music and yourself?MusicForte is now offerng a "free" membership to their "Gold" plan.The site is very friendly,well organized and Greg,the owner,is a veteran musician himself.They also offer a "Japan" plan,one that personally promotes your music in Japan...jazz!In addition the site offers others ways of promotion,through Mp3 downloads of your music,cd/album digital downloads and more.So check them out.The free offer is quite a good deal,coming from a very reputable indie site....
My page at Music Forte... http://www.musicforte.com/member/G
Have you been thinking about Music Forte's Gold Plan service, and wondering if it really works? If so, you're gonna LOVE this offer!

Jazz Great Oscar Peterson Dies at 82

TORONTO... Oscar Peterson, whose speedy fingers, propulsive swing and melodic inventiveness made him one of the world's best known and influential jazz pianists, has died. He was 82......http://www.ejazznews.com/modules.php?op=modload&name=News&file=article&sid=8949&mode=thread&order=0&thold=0
Personal websites...
http://www.collectionscanada.gc.ca/4/2/index-e.html
http://oscarpeterson.com/news/

Tuesday, December 25, 2007

Most Hilarious Guitar Design Ever


Hilarious but not much to play with...2 strings only....humm.
Here's Stig Pedersen from Denmark's D-A-D (formerly known as Disneyland After Dark but don't let the Walt Disney Corporation hear you calling them that else their lawyer-dialling fingers get twitchy) wielding another one of his barking mad two-string basses.

Monday, December 24, 2007

8-year-old plays Stairway to Heaven Solo Outro

Check this little guy out,playing the solo to Stairway To Heaven!Wow...kids today have so many resources for learning to play,so...they are getting so much better,so much younger.
http://www.youtube.com/watch?v=KuSihWz7LlQ&feature=related

Live Music Webcasting Starts Making Sense in 2008

Finally,some solutions to music webcasting.This is another hit on the big boys,first audio and now video...read on. A victory for the small guy though.
With ticket receipts soaring and online music more popular than ever, why is live concert webcasting -- which sits squarely at the intersection of these trends -- still lagging?
After showing early promise at the turn of the millennium, webcasters' path to success was slowed by three major roadblocks having to do with technology, audience and record labels.
The good news for music fans is that all three will likely give way in 2008.
http://www.wired.com/entertainment/music/commentary/listeningpost/2007/12/listeningpost_1224
and...this is a beginning...http://www.synclive.com/

Sunday, December 23, 2007

Works Of Art On A Strat...

Here are some cool hand painted Strats....check it out...
...her site.. http://www.pamelina.com/pamelina_001.htm

.....and more at.... http://www.modernguitars.com/pamelina/archives/2007/05/a_psychedelic_hello.html

Friday, December 21, 2007

Santa Fe Fat City Horns Recruited By Bette

The top notch horn section of Santa Fe & The Fat City Horns has been recruited by Bette Midler, and will be part of her orchestra when the legendary performer makes her debut at Caesar's Palace in 2008, replacing Celine Deon. The horn section is already in New York for rehearsals, but fear not for vacancy in the Santa Fe funk band. The second line of horns are just as fabulous and talented, and have kept the stature of the band in the "A" level of musicianship.
article page...
http://www.smoothvibes.com/movabletype/archives/000961.html
Santa Fe Fat City Horns site...
http://www.santafeandthefatcityhorns.com/

Monday, December 17, 2007

Singer Dan Fogelberg, 56, Dies of Cancer

Singer Dan Fogelberg, 56, Dies of Cancer
Dan Fogelberg, the singer and songwriter whose hits "Leader of the Band" and "Same Old Lang Syne" helped define the soft-rock era, died Sunday at his home in Maine after battling prostate cancer. He was 56.
http://www.mail.com/Article.aspx?articlepath=APNews/General%20Entertainment/20071217/Obit_Fogelberg_20071217.xml&cat=entertainment&subcat=&pageid=1

Dan Folgelberg site.. http://www.danfogelberg.com/

For The Curious

Saturday, December 15, 2007

Study: Free Beats Fee for Radiohead's 'In Rainbows'

Of those who downloaded Radiohead's digital album, In Rainbows last month, about 62 percent walked away with the music without paying a cent, reported ComScore, an Internet research company.

This study is really sorta scary for all the signed musicians and bands out there and to say the least the record companies! Humm.............read on......

About 17 percent plunked down between a penny and $4, far below the $12 and $15 retail price of a CD. The next largest group (12 percent) was willing to pay between $8 and $12--the cost of most albums at Apple's iTunes is $9.99. They were followed by the 6 percent who paid between $4.01 and $8 and 4 percent coughed up between $12 and $20...
http://www.news.com/8301-10784_3-9811013-7.html

Friday, December 14, 2007

The Ventures,Madonna, Mellencamp Newest to Rock Hall

The Ventures...want to learn surf guitar,listen to The Ventures...

CLEVELAND - The Material Girl is about to become a Hall of Famer.
The ever-evolving Madonna was announced as a Rock and Roll Hall of Fame inductee on Thursday along with John Mellencamp, The Ventures, Leonard Cohen and The Dave Clark Five.

Thursday, December 13, 2007

Gibson "Robot" Guitar sells Out

Just an update on the Gibson "Robot" guitar.If you want more info on it,go below and read my earlier post,or click the link below.
The 'world's first guitar with robotic technology' went on sale in stores last Friday, December 7, 2007. Gibson unveiled the First Run Limited Edition Robot Guitar at select dealers (with only 10 Robot Guitars available per location), many selling out on the first day. A standard edition Robot will be available in 2008.
http://www.gibson.com/robotguitar/

The eStrap


Hi All,
I was just reading an article on a device/controller, for guitar that allows you to control effects like wah-wah,phase,chorus,delay and more.It,as the name implies,it clips to your strap.With movement you can control the ,say,amount of phase mix or say pan a chord from left to right.And all this can be done while moving around on stage...cooolll!I have always been at the mercy of the floor pedal!Think about it...to be able to leave your pedal and walk around the stage but have the wah wah effect still available to use,or any other effect!That is tremendous freedom for the guitarist.I see it as when the keyboard controller first came out.The keyboardist was free...free to go anywhere he liked while playing!Here is addtional info and a link...i'm going out and buy mine now!
Conceived by innovative guitar designer Ned Steinberger, the eStrapâ„¢ uses a tension sensor on the strap to control effects like wah, distortion, flange, pitch and volume. No longer tied to a cumbersome foot pedal, the guitarist is free to roam the stage and control his effects with intuitive movement, enhancing the musical experience for the player and audience alike.
Imagine playing a phase shifter that changes depth with chording motion. Imagine playing the final note of a solo, and having a delay sweep in to repeat it. Imagine playing chords with a flange effect only on beat three of every measure. The eStrap makes this possible and playable, without foot pedals.
The eStrap includes the guitar strap with integrated sensor and wireless transmitter, and a small receiver unit with classic wah circuitry built in. The expression pedal control jack can be used to control external effects, giving the eStrap unlimited access to the latest signal processing technology. Available from Atlantic Quality Design, the eStrap is priced at $280.00.

Wednesday, December 12, 2007

Music Pioneer Ike Turner Dies at 76

It's unfortunate to hear about the death of Ike Turner.His song "Proud Mary" was one of the first songs i ever worked up on guitar.And his ex-wife,Tina Turner,turned his songs into a "in your face show time" performance,which i am sure Ike had a lot to do with her entertaining abilities...

Turner, Ike - Rock-and-Roll Hall of Famer...
Like many rock 'n' roll pioneers, Ike Turner wasn't a saint. But his many musical accomplishments deserve to outlive the memory of his character flaws.
Turner, who died Wednesday at 76 at his home in San Marcos, Calif., of unknown causes, had a recording career of more than a half-century that reached back to the dawn of rock 'n' roll. In fact, a 1951 record by the guitarist and bandleader, Rocket 88 (sung by and credited to Turner's saxophonist Jackie Brenston), is often earmarked as the first fusion of R&B and blues that could be termed rock.

In the late '50s, Turner led a band, the Kings of Rhythm, in St. Louis and hired Anna Mae Bullock as a singer. She became Tina Turner in name and wedlock, and their records from 1960 through the mid-'70s include countless classics that demonstrate Tina's awe-inspiring lung power and Ike's dry wit. A Fool in Love, It's Gonna Work Out Fine, Bold Soul Sister and Nutbush City Limits endure in R&B history, while their recasting of John Fogerty's Proud Mary became the definitive version.

Ike wrote many of their records, produced the bulk of them, and led the legendary Ike & Tina Turner Revue (including a rotating cast of backing singers known as The Ikettes), one of the top R&B touring aggregations of the '60s. They crisscrossed the country and eventually opened for the Rolling Stones on the British band's 1969 tour.
Thanks to Brian Austin Whitney for the above article
http://www.jpfolks.com/forum/ubbthreads.php?ubb=showflat&Number=567153&page=0#Post567153

Saturday, December 8, 2007

Practicing and Memorizing Tunes..Listen,Listen First

I recently came across this article on practicing and memorizing tunes..I feel it has a lot to say on the subject of learning a song and also suggest more than one way to approach learning songs.And,to me,the most important thing mentioned is...listen,listen and listen FIRST,before attempting to learn a song!So many newer students do not realize the importance of listening first before attempting to learn a tune.The highlights of this article are...(1)Listen a lot first (2)Listen to several versions of the tune (3)From the melody,get the chord changes (4)Play the song in different ways(melody only,chord only,solo style/chord melody) (5)Play song in different keys....Listen first,then play...Greg

Practicing and Memorizing Tunes (July 4, 2005)
Every guitar student I coach is encouraged to memorize a handful of standard tunes. I've found that most students will first go to a fakebook in attempting to learn a new tune. I'd like to suggest a more natural approach that makes memorizing tunes easier, is more thorough, and great fun at the same time.

Find as many quality recorded versions of the new tune you want to learn and put them on your Ipod, audiotape, etc. Listen as you go about your daily routine. Music services such as Rhapsody and Itunes are perfect for getting a hold of multiple versions of the song. Make sure that there are at least a couple of vocal versions of the tune and listen to those first so the lyrics can become embedded in your mind. The melody and the form of the tune will become familiar upon repeated listenings as well as common tempos and feels, arrangements etc. When Kenny Burrell first began to play, he seldom ever saw the sheet music to a standard. He heard the tunes on the radio repeatedly so that he could pick up his guitar and play the melody by ear away from the radio. Then he'd take his best guess at the chord changes. Most of the time he got it right but sometimes he made up his own changes that worked just as well. Some find this exercise easier than others but the more one can rely on their own ear and instincts the better. For a primer I recommend picking out simple tunes like children's songs since the melody is deeply ingrained. Try harmonizing the song in different ways.

Now it's time to sit with the guitar and sing the melody of the standard tune and find it on the fretboard. Then attempt to discern the chord changes. Sing the melody and try different chords with it or play it chord/melody style where the melody is the top note of the chord. Chances are you will be in a different key than the tune is usually played in. Other times you will be pleasantly surprised that you are in the standard key perhaps hearing it there naturally. Now open your fakebook and see how you did. I often consult more than one book in order to see what some common substitutions are for the tune and compare the written melody to what I've heard on the recordings. Often the student will transcribe their favorite version matching the phrasing and harmonies, which is a great practice.

It's a good idea to practice playing the tune in several ways: Melody only, chords only, simple block style chord/melody, and half note bass underneath the melody. Often in the course of a lesson I realize that the student cannot play the melody on its own having memorized a chord/ melody version. It's a good idea to be open to different ways of harmonizing the melody. Playing half note bass below a syncopated melody is crucial in understanding harmony and in developing the necessary independence needed to play solo guitar. Practice soloing over a pre-recorded rhythm track or to a metronome. Make sure that your initial solos are based closely on the melody. Paraphrasing the melody is a very useful skill and pre-dates the practice of soloing over the chord changes alone, typical of the bebop period.

Howard Alden suggests transposing the tune up or down a 4th or 5th in anticipation of playing it with a female vocalist. So if the tune is in the key of F try it also in Bb and C, common for vocalists. Get together with another musician weekly if possible and play these tunes from memory and transpose them! Another important concept I practice and teach is to play shell voicings, 3rds and 7ths, below the melody. Maintain a steady "four on the floor" rhythm with the shells like Freddie Greene or Errol Garner while you are playing the melody. Lenny Breau was the first guitarist to become famous for this technique. It requires a lot of hard work but as Lenny would tell you "through discipline comes freedom." Try more rhythmic comping beneath your melody and you will have created a nice, light yet full, texture by yourself or with a bassist by your side.

I find that approaching tunes in this manner develops many necessary skills and is a thorough, fun way to practice. Learning tunes can be of great assistance in learning composition so seek out the tunes that interest you the most as well as the ones that will keep you employed. Sometimes they go hand in hand! I've compiled a list of must-know standards that I'd be happy to send out to you as a Word document. Enjoy the summer and your practice time!

Steve Herberman
steve@reachmusicjazz.com

Monday, December 3, 2007

Suggested Readings For More Music Weapons

I have a few books that i feel should be required reading for every guitarist.Just like listening,music theory and song learning are all must do's to become an accomplished musician and master at your instrument,i also include reading on the list.I call all these my music weapons!Yes,you have to have an arsenal of weapons to become an accomplished player,and reading is one of them.
Three books come to mind,and they are...(1)"Mickey Baker"/Jazz books One and Two,(2)"Scales and Modes In The Beginning" and (3)"Chord Chemistry".
The Mickey Baker book 1 is a must have for beginning jazzers.It includes all the basic jazz chords,and more,needed to get you started in playing jazz on guitar.And also included are some basic scales needed to improvise over the chords.Book 2 of Mickey Baker is a continuation of book 1,just more detailed with additional chords and sca;es.At least get Book 1 and memorize it!The second book,"Chords and Scales In The Beginning",is a great book for scale and modes knowledge.And in addition,it will tell you what mode/scale will fit with a paricular chord progression.To me,it is the book to read and memorize for scales and modes and how they fit with chords and chord progressions,a great book...get it!!!This book is a music style neutral,the material can be applied to ALL styles of music.And the 3rd book is Ted Green's,"Chord Chemistry",it is one of the most comprehensive books on guitar chords and their voicings and positions on the neck,i have ever come across.Chord knowledge is a must,so get this book!
So many newer players lack knowledge of chords and chord progressions....humm.All want to be soloist!!!But guess what...FIRST and FIRST...you have to know what the chord progression/chord is!!!REMEMBER...the CHORD/CHORD PROGRESSION dictates what the melody or solo player CAN and CAN NOT play...peroid!!!
Also the "Berklee School Of Music" guitar books are great.
So,go and purchase these books and begin building your arsenal of music weapons.
Peace!...Greg

A Bug

Hi To All...sorry for no recent post,i have had a common bug/sick.Anyway,i am better now so lets get blogging!

Friday, November 23, 2007

Happy Thanksgiving.

Hope all had a safe and happy Thanksgiving...Greg

Thursday, November 15, 2007

Gibsons New "Robot" Guitar

I got a recent email from a friend and he provided me a link to a Gibson guitars page.To say the least it was an interesting link.It appears Gibson is soon to release a Les Paul style guitar with auto tuning,different preset tunings(including Jimmy Page and other guitarist,tunings...cool)and,yes more,an auto intonation adjustment.I have seen something similiar in the past that tunes your guitar automatically,BUT,it was a seperate device and hand held.But,on the Gibson robot guitar,all is built into the guitar....hum.There are several videos showing this in action...pretty cool.I like the auto tunings that are more or less "presets" that are set for different songs by different well known guitarist.Really,i guess,this is geared toward the more beginner to intermediate guitarist.And there is a competition to,i guess,win one of these robot Gibsons.You simply submit a personal video to Gibson,and the ones i saw were cool,and the winner gets a "First Run Limited Edition Gibson Robot Guitar".And,of course,these videos have been showing up on YouTube.Anyway...here is the link to the Gibson robot guitar.This link takes you to a demonstration/manual.And don't forget to check out the submitted videos,they are cool and funny!
http://www.gibson.com/robotguitar/guitar.html

Monday, November 12, 2007

For The Curious

The Future

Live from Daryls House
Live from Daryls House is set to debut November 15 at 8PM Eastern, exclusively on http://www.livefromdarylshouse.com/. Following the webcast, the episode will be available on demand any time through the website.
Among the guests scheduled to stop by as Daryl debuts some of his new songs are Matchbox Twentys Rob Thomas, Gym Class Heroes Travis McCoy, Flight of the Conchords Bret and Jemaine as well as partner John Oates and longtime band member T-Bone Wolk.
I thought i would change gears on this one!You ask...how is this related to guitar?Well,it is and it isn't!The gist of this is really to inform guitarist and musicians that the above is really the wave of the future.And what i am talking about is musician/internet/promotion.Though the above is now being tapped into,that is,producing and airing your own personal show via the net,it is only the tip of the iceberg!We are really just now seeing this start to take hold.Now that most people have a broadband connection it is really going to happen.I have already seen where a couple of groups have,through their web site,offered a free/live/online concert and got record breaking audiences.This new realm of promotion is really going to change the music industry,just wait and watch.Oh...and,btw,the guitarist for Hall and Oats,is a great all around/r&b guitarist,and needless to say,headed the Saturday Night Live band for years!

Saturday, November 10, 2007

Guitar Strings

Like picks,there are different type strings also. They make particular strings for electric and acoustic guitars.The string "sets"are of different "gauges".Normally the gauges are smaller or "thinner"for electric guitars than acoustics.And the materials used are usually different.And the materials used for both guitars can also change the 'tone"or sound of the guitar.For the electric guitar most use a "light"gauge string and for the acoustic guitar they choose a medium or heavier gauge set of strings.If you play electric and do a lot of "bends",you may prefer a lighter gauge.But if you play jazz and do not bend the notes a lot,you would use a heavier gauge string.The heavier the gauge,the more solid or rounded and clearer the notes or chords sound.A thinner string gauge has a thinner tone to them.The choice again is strictly a personal choice though!For electric guitars the string material is usually nickel,and on acoustic,it may be bronze or phospher.Again the choice is a personal one.

Saturday, November 3, 2007

Playing Funk Guitar...Chucking

Chucking is a technique that funk guitarist use.What you do is,with your left hand,lay it across all or most of the strings and strum while only sounding out the note(s) you are fretting or playing(make sure you are not muting the note(s)you are fretting!).This gives you a fatter sound than say,picking the one string for that one note.And remember to be patient and not to get frustrated at first!And,go out and grab,or download, some old 70's and 80's funk tunes,you will hear this technique being used all over the place.

Don't Drop The Pick

When playing finger picking style,i pick with the pick and my other three fingers,M(iddle),R(ing) and P(inkie).This way you don't have to stop and drop or pick up the pick and you can also have the pick available for fills and runs.Another thing is to "tuck"the pick into the palm of your hand and to "pull"the string being played,or to like "pop"it.This is a twangy sound or country style.You can also combine the pick and your middle finger.holding the pick with I(ndex) and M(iddle)fingers,and do quick runs,alternating between your pick and your middle finger and evenR(ing) finger(s).This is a really cool sound,funky and twangy! Remember to start off at a slow tempo then steadily increase.This is a really cool sound so i highly recommend all guitarist getting this technique down.
And don't forget you can apply this to regular finger style playing and arpeggios.
To learn more techniques and guitar answers,you can go to my personal site at
http://www.freewebs.com/gguitar/ under "Music Tips"

Saturday, October 27, 2007

Delay Effect

Delay can be tricky with just a pedal.This is because,in order for the delay to sound right it needs to be set to the tempo of the song.A pedal has limited settings to do this,although some multi effects pedals now have it where you can "tap"the delay time into it prior to playing the effect. This allows you to correctly set the delay time to the tempo of the song.It is nice to have a parameter adjustment,within the unit,that has a delay time adjustment and then be able to store that setting,for later recall.
For solos a"slap back"delay is a good general setting to use.Delay does not work well for rythem guitar though.For slower songs,a nice long delay sounds good on a solo.The biggest fault i see with players using delay is,not having the delay time in sync with the tempo!This is a no,no.
Something new and cool is a "loop"pedal,check one out.You play a phrase,it records it,then just loops or repeats that phrase and you then play someting on top of the loop...cool.I use to do this with an Echoplex,which was tape driven,not digital.

Thursday, October 25, 2007

Notes On The Fretboard

I hope this helps the beginnning to intermediate guitarist develop some type system of learning and memorizing the notes on the fretboard.It can be quite a daunting experience to the beginner.I have found the "box" system works quite well in learning and memorizing the fretboard.Maybe this will help some unlock the "mystery" of the fretboard!
The guitar is not visual like the piano,so it is a bit tricky when it comes to developing a system to learn the notes.I like the idea of the "box"system.It also speeds up the learning process,i think.This can also be applied to helping to play scales on the neck.Look at the fretboard as having boxes(a block) up and down the neck.In each area or box you have a two octave range.This will be by the note on sixth string and the same note,an octave higher,on the fourth string,and the same note again on the first string,or second octave.This can be done for each note,up or down the fretboard.Also remember,two of the six strings are the same name,an E note,so that makes it easier!
Look at the diagram below and notice the"box"with the 3 A notes(dots),and the straight vertical purple lines(2)before and after the dots.This is the 'box"area i am talking about.Learning the same note grouped in an area or box makes learning the fretboard a lot quicker...

Wednesday, October 24, 2007

Making Guitar Picks..... Again

Hi All,
There was such an overwhelming response from my post on making your own picks,i thought i would post again,but do it here and not have you go to several links to get the info.
I will mention several things here that will help in how it is done and with what.
The material chosen can be of plastic,metals(brass)and really any material that you can cut and file or sand to make the edges smooth!The material and thickness will have dramatic effects on the feel(playability) and tone.For a beginner player,the thinner and plastic will be easier to use.And for a more advanced player,they may prefer a thicker and smaller brass type and more pointed at the tip(s).Below will be listed how to(s)and some tips that will help in your decision on the material to choose and the shape to cut.I suggest starting by buying an assortment of picks(differnet materials and shapes,then playing with them(to find a favorite shape or two and the material),then making your own(fine tuning your preference).

1.Find an old plastic card(credit,gift...whatever).These will be in different thicknesses.
2.Trace the outline of an existing pick onto the plastic.
3.Cut out the shape of the guitar pick.
4.Use an emery board or a small scrap of fine sandpaper, smooth the edges of the pick.
5.Thats it......Play,Play,Play!!!!!!!!!!!!And don't be afraid to experiment with different shapes, materials and thicknesses.I may use several types in one night,depending on the guitar(electrics or acoustics) i am playing...so.

Guitar Picks come in so many shapes, sizes, materials, and thickness (gauge) that sometimes it's difficult to know which ones to choose. There are four main attributes of a guitar pick.
The shape of the tip
The thickness
The overall size
The material

Friday, October 19, 2007

Recording Acoustic Guitar

I recently found a good article at eqmag.com on recording the acoustic.It speaks of mics to use,mic placement and other tips.The process can be a timely one,to say the least.One of the engineers talking,Neil Harris, recorded Alex DeGrassi,one of my favorite acoustic players.He is an outstanding player(WindamHill records),and his tone and sound always just floored me,so warm and woody,like you were in the room with him.So check out the article at...
http://www.eqmag.com/article/string-theories/Aug-07/30618

Wednesday, October 17, 2007

Amps

Amps...Like guitars,there are many,many amps to choose from.But,for me,i prefer a 'tube"amp.The tube amp is more "guitar friendly"than a "solid state" amp.The "combo"amp is the main choice,it is the power amp/pre-amp and speaker,all in one unit.And then again, some prefer a "rack"set-up.This is where you have a pre-amp,then a seperate power amp,which is then connected to a seperate speaker(s).This is my preferred set up,with two single twelve inch speakers.I can stack the 2 speakers or lay them side by side and even spread them out from one another.Again the choice is yours,depending upon your situation and style of music.With the combo set up,you can use a pedal effects board for effects,or individual effects pedals,and a rack set up you can use a rack mount effects unit with a MIDI pedal connected,for swithcing to different effects or patches.My preference for power tubes in an amp are EL 84's or EL 34's,they have a warmer,less edgy tone to them.So again the choice is yours!

Monday, October 15, 2007

For The Curious

Wednesday, October 10, 2007

Portrait Guitars


I recently came across a luthiers guitar site on MySpace.He carves out Tele guitars,and others i assume,into beautiful pieces of art.Check Jimmys work out at...
http://www.myspace.com/spanktheplank

Wednesday, October 3, 2007

Setting Up A New/Used Guitar

Guitar Set-Up And Adjustments
1.Changing Strings ...The main thing to remember is this,if the bridge is not locked down,but floats(Strat style),only change one string at a time!And,if the bridge is solid,then you can take off all strings and then replace all the strings at once.And on a "Floyd Rose"type system,be sure and,block the bridge off before changing strings.That is,place something under the bridge that will prevent it from moving.If you do not do this,you will run into major problems when starting to tune up,even if you changed one string at a time!And on a Gibson Les Paul style guitar,no problems in changing strings.And don't forget the wrap of the string on the tuning peg is...bottom to top!
2.Tuning...Make it simple and go out and buy an electric guitar tuner!They are inexpensive and easy to use.
3.Truss Rod...This should be the first adjustment in a basic set up.And you can easily snap the truss rod if you do not know what you are doing!Most of the time it only takes a quarter to half a turn,at most a full turn.Look down the edge(outside) of the neck,looking from the peg head end of the guitar.If the neck is bowed upward,loosen the truss rod,if the the neck is dipped,then slightly tighten the rod.In general,the neck should have a very slight dip around the 5th to 7th frets,but never have an upward bow.And note...the weather or seasons will affect the truss rod.So,i generally have to tweak mine seasonally!***With a left hand finger,hold down the 6th string on the first fret.Now,with a right hand finger,hold down the 6th string at the 12th fret.now,you should see a tiny gap between the frets and the 6th string,around the 5th to 7th frets!
4.Action(string height)...This is really a personal preference.Obviously there should be no string buzzes.And,the lighter,the gauge string,the higher the action needs to be.And also,if you play with distortion most of the time,well,you can get by with lower action.You should not have to "press"hard to sound a note out.
5.Intonation...Play the harmonic at the 12th fret,now play the same note by fretting the note at the 12th fret. The two notes should match exactly if the intonation is correct.If the fretted note sounds sharp, then adjust the bridge saddle so that it moves back away from the fingerboard.If the fretted note sounds flat, then adjust the bridge saddle so that it moves towards the fretboard.***One problem I've seen a number of times is where a guitars intonation is set properly, but notes fretted between the 1st and 5th fret sound sharp regardless. This is almost always due to the fact that the nut slots are cut too high. The additional distance required to push the string to the fret is causing the note to be sharp.***Intonation setting is the last adjustment to be done in a set up,after truss rod adjustment and string height adjustment,and of course,do this with new strings.***Again,use a tuner to do this!And remember,if the note is registering sharp,move the saddle back,and if registering flat,move the saddle forward.
***The above steps should be done in the order listed***

*Moisterizing the Fretboard...To do this,i use Lemon Oil(without wax added),Formbys is a good brand.Only do this to a rosewood or porous wood fretboard.A maple wood fretboard,with finish,does not require this.

Tuesday, October 2, 2007

Making Equalization Work For You

EQ is something we all can use to help mixes work and instruments stand out in the mix with their own individual character.
The biggest thing i see with beginners is too much eq.And another is all highs with no low mids or lows added.But,if done right,from the initial recording,little eq is needed.
Anyway,here is a link to an eq article by Craig Anderton.Craig is a guitarist/gadget software guru....enjoy...Greg

http://www.harmony-central.com/articles/tips/making_eq_work_for_you/

Wednesday, September 19, 2007

Taylor Guitars Goes Electric

Taylor Guitars Introduces Its First Electric Solid Body Guitar

http://www.modernguitars.com/archives/003714.html

"Watch"...Guitar Player TV

Guitar Player TV

...watch it now...

http://www.guitarplayertv.com/

Tuesday, September 11, 2007

Make Your Own Custom Picks


You can make your own custom made personal guitar picks,it's easy and fun.To find out how,click on the link below,then go to Gnews page and read the article about making your own guitar picks.
www.freewebs.com/gguitar

***Update*** Check out the post in October.With the overwhelming interest i had to this subject,i posted the whole artcle within the post,so,no links to deal with!