Happy New Year

Freddie Hubbard Passes

Freddie Hubbard, widely regarded as the most gifted jazz trumpeter of the post-bebop '60s and '70s, died Monday at Sherman Oaks Hospital in Los Angeles. He was 70.
article... http://www.latimes.com/news/printedition/california/la-me-hubbard30-2008dec30,0,130061.story
about Freddie Hubbard... http://www.jazztrumpetsolos.com/Hubbard.asp

Tweak Your Guitar For Better Tone

There are ways to change/tweak or improve the sounds of your guitar.Here are a few...

* Lowering pickups into the body may sound better, but will produce less output. Experiment with pickup heights until you find your own "sweet spot."
* ALNICO rod pickups that are too close to the strings can "pull" the string out of tune, especially on the bass side of neck pickups.
* Bigger frets, heavier bodies and maple face plates can add to the highs and thin out the midrange, as do heavier nuts (brass) and bridges (locking tremelos).
* Shielding, on the other hand, reduces highs by raising the capacitance of the circuit. Shielding the coil has more of this effect than shielding the body cavity because it places the shielding closer to the coil itself. Therefore, we do not recommend shielding the coils or the inside of plastic covers because of potential damage and shorting out of the pickup.
* Volume pots put a small short across the pickup dampening highs so a larger value pot will make a guitar a little brighter and a smaller value pot will make it darker.
* A resistor can be added across the pickup (hot to ground) to achieve resistances between standard pot values. ( a 330k resistor added to a 250k pot gives a 145k short across the pickup).

To me,tweaking is fun and the fun never ends!

NAMM Show 2009

OK,another year is leaving soon and what does that mean?It's time for the 2009 NAMM Show in Anaheim,Ca.I will try and keep you somewhat informed,of the happenings,with links and news.I usually supply a link to Harmony Centrals coverage video,it is the best site i have found for this event!Here is a link to the floor plan,a list of music companies and their location... http://www.namm.org/thenammshow-floorplan .
The dates and location are...Anaheim Convention Center
800 West Katella Avenue, Anaheim, CA 92802

Thursday, January 15 10 a.m.-6 p.m.
Friday, January 16 10 a.m.-6 p.m.
Saturday, January 17 10 a.m.-6 p.m.
Sunday, January 18 10 a.m.-5 p.m.
(Hall E & the NAMM Idea Center open at 9:30 a.m. each day of the show)

If you have never been to a NAMM Show it is a musicians paradise/ultimate candy store!Any and every music manufacturer is there,along with all the major players hanging out and playing or doing private shows,a real treat to behold!Read my earlier post on the 2008 NAMM Show and just what the NAMM Show is about...
http://guitaranswers.blogspot.com/2008/01/namm-show.html
HarmonyCentral coverage... http://search.harmony-central.com/search?q=NAMM+2009&x=0&y=0&sort=date%3AD%3AL%3Ad1&output=xml_no_dtd&oe=UTF-8&ie=UTF-8&client=default_frontend&proxystylesheet=default_frontend&site=default_collection

Choosing The Right Single Coil Pick-Up

Seasons Greetings To All...
This is a link to a cool site.The site has sound clips of some single coil pick ups being used in different positions.The pick ups are per se based around a "vintage" sounding set.They are Lindy Fralin,Fender and Jason Lollar.So it is a good gauge for deciding upon what you might want to replace those stock pick ups with!The same guitarand amp, is used in all the sound bytes,and the clips range from Hendrix to Robbin Ford.I was surprised at the "plastic" tone of the Fenders,and the thinness of the Jason Lollar...to me,the Lindy Fralins won my ears...hands down!The others were either plastic or synthetic sounding or thin sounding.It's your preference though...right :-) !And every set of ears is different :-).
The site...hear clips of these various pickups on a level playing field, and this might help you make a more informed decision.This page is all about giving you the opportunity to hear various pickups recorded in a controlled environment. Since every guitar is different, a set of pickups can sound different in one guitar than they do in another, so we had the idea that if we recorded a bunch of pickups in the same guitar, using the same amp, same settings, same player, this would provide a level playing field, where the differences you hear in the sound clips would be the differences in the pickups themselves.
...You want to brighten up a dark guitar? Then you don't want output, because output adds midrange. You want lower output, not higher output.
...Want to warm up a guitar that is already too bright? Then output is what you want.
So here's the link... http://www.acmeguitarworks.com/Strat_Pickup_Sound_Clips_W1.cfm
And the Fralin pickup page with single coils... http://www.fralinpickups.com/stratstyle.asp

Merry Christmas

Hoping All Peace and a Merry Christmas...

Great Interview With Carl Verheyen

I recently was reading an article over at Premier Guitar with guitarist Carl Verheyen.This guy is so cool sounding and apparently a major player in the recording industry as far as being requested for studio dates.His thoughts on playing,equipment and recording was very inspiring,so i thought i would share it with you.
Below are some highlights of the interview by Oscar Jordan.
Carl Verheyen is a guitar chameleon whose whose adaptability puts him in high demand has made him in high demand for everything from TV commercials to major recordings.
"We mic the amp, but we also mic the room. That’s the sound of the guitar and that’s what I want to hear. I’m not a home studio guy. I pretty much just do little demos for myself on an old hard drive recorder, and mic amps and mic acoustic guitars and work out parts, so I rarely have to use a real studio."
"I never use plug-ins, and I always mic an amp no matter what. I like to mic it through some of that old API gear that they have at Sunset Sound, but I’m paying two hundred bucks an hour (laughs) so it’s a little dangerous. You want to be able to listen to it five to ten years from now and say, “Man, this still holds up,” whereas that plug-in stuff may not. "
"I was listening to Greg Howe’s new record and thinking, “Oh man, this guy’s chops are insane!” There are a lot of people on a level that’s pretty high in terms of that. Now it becomes, how do you layer? How do you orchestrate? My concept has always been, “How do I pick who’s going to be Frank Sinatra? Which guy is going to have that main voice?” On those Frank Sinatra records the whole orchestra comes in and it’s beautiful. There’s this huge level of glorious sound. Then Frank comes in and it’s even more glorious!"
"It started to come together with an A/B system. I would say right around 1990 I started putting together that kind of clean and dirty rig. I remember talking to Allan Holdsworth and he said, “You don’t play clean and dirty out of the same speakers do you?” And I said, “Yeah.” He said, “How can you do that? I want a real papery warm sound from my lead tone, like Celestions. From my clean sound I want something a little more bright and pingy.” Then I thought, “Well so do I!” That’s what kind of started me thinking down the road of having two separate rigs."
"When you really get down to it, blues, blues-rock, rock, country, country-rock, bluegrass, jazz, heavy metal, be-bop, all these different styles of music use the same twelve notes. The only difference between the jazz guys is how they ornament the style. They’ll play a certain feel so it’s a rhythmic ornamentation. They’ll play a certain choice of notes so it’s a harmonic thing and a sonic thing. You take that be-bop style of Charlie Parker—it’s really in many cases the mixolydian mode."
"You’ve got to separate your artistic career from your sideman career. Your sideman career is about you being a well-listened craftsman. I was called into a session once where they said, “I need that ZZ Top thing.” That’s Billy Gibbons playing a Les Paul, probably through a little tweed Fender amp. Pinch harmonics… a Texas shuffle is very different than a Chicago shuffle so the sound adjusts, the feel adjusts and here’s my impersonation of Billy Gibbons. That is being a well-listened craftsman, as opposed to an artist. I separate the two in order to make a living. When you are a sideman you’ve got somebody else’s musical vision that you’re trying to bring out. When I’m making my own records it’s my musical vision."
...read on... http://www.premierguitar.com/Magazine/Issue/2009/Jan/Carl_Verheyen_Interview.aspx
website... http://www.carlverheyen.com/

Concert Business Has Record Year

With the economy tanking,the concert business has a record year!
NASHVILLE, Tenn. — The stock market is in the tank, the plant is closing and the neighbor is losing his home ... the perfect time to go to a concert, by one measure.
The concert business grossed just under $4 billion worldwide in 2008, the most ever for a year and up almost 13 percent over last year, according to Billboard magazine....
http://www.wral.com/entertainment/story/4186831/

Warner Music Group and YouTube Disagree

If you want to watch videos of Madonna, Led Zeppelin, Linkin Park, and countless others on YouTube, you better move fast. Citing the collapse of negotiations regarding compensation, Warner Music Group announced on Saturday (Dec. 20) that it would begin pulling its music from the popular video-sharing site....
http://www.gibson.com/en%2Dus/Lifestyle/News/major%2Drecord%2Dlabel/

Songwriting Basics...Part 1

I'd like to talk a little about songwriting basics.For those guitarist who want to get started writing their own songs,maybe this will help some.
A song can come from many places.It can be inspired from a thought,an event,a guitar riff or lick or chord progression,a rhythm or beat or a melody you hear in your head or in a song.There are many avenues for starting a song.
Basically speaking,a song has form or sections.This goes back to Classical music.An AB form or 2 sections.The A section being one part and the B section being another,different part.And the movement going from A to B then B to A,etc.The A section being the main section or Chorus,or repeated over.Today's songs in pop music may have additional sections like an Intro and Bridge.So an example of this type form would be...
Intro:A short section of music played at the beginning of the song
Verse: The verses in a song all have the same melody but different lyrics. The verse lyrics give us information about the situation, emotions, or people in the song.
Chorus: We may hear the chorus of a song three, four or more times. The lyric and melody remain the same each time it recurs.The chorus lyrics sums up the heart of the song. The title of the song almost always appears in the chorus section and may be repeated two or more times.
Bridge: The bridge has a different melody, lyrics, and chord progression from the verse or chorus. It provides a break from the repetition of verse and chorus. The lyric often provides an insight or revealing moment.
The above parts could be further enhanced by repetition.And you could call each part a section or A part,B part,C part,D part,etc.And other than the Intro,you could start with a Chorus,then the Verse.The order is up to you.The Bridge is usually the most difficult to come up with.It is the section that is the most different sounding in the song.The Chorus is usually similar to the Verse.And the Chorus states the theme or main melody of the song or what they call the "Hook".It is really the most important part!
So,a song can come from many sources.It has form,or sections.And these sections repeat themselves,with one of the sections being the main theme,the Hook,Chorus or Head(jazz).
This will conclude Part 1 of songwriting,i hope this helps you in your musical journeys.Songwriting can be a very rewarding thing.and next we will expound upon the "art" of songwriting a little more.Below are some links that may help you further your journey...
http://www.craftofsongwriting.com/Column1.htm
http://www.craftofsongwriting.com/articles.htm
http://www.writerswrite.com/journal/mar03/dawson36.htm

For The Curious

http://www.cafepress.com/gregwaters

10(9) Useful Tips For Guitarist

There are 10(9) useful tips for guitarist over at the Premier Guitar site.Here are a few,but the 10th on the list...Throw away your tuner,i do not agree with,especially for gigging!The others are very useful though....
1. Maximize Tone and Clarity
Most of us love to have enough gain in our tone to feel “safe,” but it is most likely more gain than we need. Try this: dial in the amount of gain that gets you into the zone, then back it off until it gets uncomfortable to play. At that point add just enough to make it tolerable. Your tone will have more clarity and definition and you will project your sound

2. Sharpen Your Pick
When you wear down a pick or have jagged edges on it from too many pick scrapes, drag the pick across the carpet and you will literally melt the pick smooth. Of course, this only works with plastic picks and is best on industrial carpet, but it’s amazingly effective. Because of the way it melts, it’s like buffing the pick out and making it ultra smooth. Use it on both sides of the pick for a super sharp shredder attack!

3. Keep It Simple
Try unplugging all your pedals and go straight from your guitar to the amp. You may rediscover what it is about that direct relationship you came to love in the first place.....more at
http://www.premierguitar.com/Magazine/Issue/2008/Dec/Top_10_Tips_for_All_Guitarists.aspx

Danny Gatton Must Knows and Sees

This is a great link to an article about Danny Gatton and toys or should i say weapons of choice!From the playing techniques to his equipment.A BIG thanks goes to Ralph Heibutzki over at eHow.com.
example..
Things You’ll Need: * Beer bottle (for slide guitar work) Charlie Christian guitar pickups Danny Gatton albums Danny Gatton instructional videos Echoplex unit Fender Dynamax strings (.010 to 0.46) Fender heavyweight picks Fender Tweed Twin amplifier Gibson L-5 Gibson Les Paul Gibson Les Paul Custom Hammond Leslie cabinet Joe Barden guitar pickups 1953 Fender Telecaster Vibrolux Reverb amplifier
This is really good reading!
http://www.ehow.com/how_4601965_play-guitar-like-danny-gatton.html
***And did i mention Danny Gatton playing slide with a beer bottle then playing with a towel video :-)... http://www.youtube.com/watch?v=xfBF4rr7FiA
Danny Gatton - Strictly Rhythm Guitar ... http://www.spike.com/video/danny-gatton/2905495?sublisting=$amp;sort=$amp;

Western Music And The Eastern Connection

I was recently reading about some Western artist and how some of their songs had Eastern influences.First to come to mind is Led Zeppelin,"Kashmir" and John McLaughlin and Carlos Santana collaborations,which,by the way,tells my age for even knowing about!And there are others mentioned in the article like Dick Dale,a famous surf guitarist,with the song "Miserlou".And others include,The Grateful Dead with "Blues For Allah",the Rolling Stones,"Paint It Black",and more.And even the music in the movie Pulp Fiction,"Miserlou".,To read more here is the link...
http://www.alternet.org/story/109842/the_sounds_of_the_%2760s%3A_how_dick_dale%2C_the_doors%2C_and_dylan_swayed_to_arab_music/?page=1
The Matrix Guitar... http://www.vintagerocker.com/fender/jackson/index.html
The Quilted Top Les Paul... http://www.guitarcrazy.com.au/GLPCPQT.htm

Tubes

Here is some useful info about tubes,and a link to a good site on amps and tubes,and also some cool videos
Tube Types And Usage
Tube amplifiers are based primarily on two types of tubes – preamplifier tubes and power
tubes. The tubes used in preamplifiers (12AX7, 12AU7, 12AT7, etc.) are smaller than the
power tubes. These tubes amplify the signal from your instrument and shape the sound. They
are inherently microphonic (they can mechanically pick up and transmit external noises). Since
these tubes are used in the critical first stages of a tube amplifier’s circuitry, it is very important
to use high-quality, low noise/low microphonic tubes for this application. Although tubes
of this quality may be difficult to find and typically cost more than “off-the-shelf” tubes, the
improvement in performance is worth the investment.
Preamplifier tubes are also used to drive the power tubes. When used in this application, a
12AX7 will produce a more distorted tone than a 12AT7, which produces a clearer, sweeter
sound. A 12AU7 is even cleaner and brighter than a 12AT7, giving more definition to the
sound. In some cases it is possible to change the sound by changing the type of preamp
and/or driver tubes.

The power tubes are the largest tubes used in an amplifier. These tubes convert the low-level,
conditioned signal from the preamplifier into a level that is sufficient to drive the speakers.
There are several types of power tubes available, each of which offers a different performance/
sound characteristic. For example, the EL34 power tube produces a great classic rock
sound. When an EL34 is driven into distortion, it produces a unique sound (“crunch”). When
compared to the 6L6, the EL34 distorts more quickly, exhibits a “looser” low-end response
and produces more harmonics at mid and high frequencies (“creamier” sound). These differences
become more noticeable at higher volumes.
The EL84(my Favorite) is similar to the EL34 but produces less output power. It can be easily driven into
distortion and is characterized by a smooth, sweet tone with excellent touch sensitivity.
6L6 tubes produce a big low-end thump and have a very good dynamic range. They offer a
more traditional “American Rock” sound. The 6V6 tubes produce a creamy sound with nice
distortion. On the other hand, the KT88 produces a big low-end but sounds more like an EL34
in the mid and high frequencies.
6550 power tubes are more rugged and stay cleaner-sounding even at full power. When they
do distort, the sound produced is more solid and has a tighter low end; more of a “heavy
metal” type distortion with lots of power.
Some tubes are available in matched sets. These tubes have been extensively tested for optimum performance and longevity.
http://wordpress.com/tag/tube-amps/
***Update... Premier Guitar article on Preamp tubes... http://www.premierguitar.com/Magazine/Issue/2009/Jan/Everything_You_Ever_Wanted_to_Know_About_Preamp_Tubes.aspx

Guitar Speaker Replacements

This is a link to a site with a good list of guitar speakers.Check it out,and of course,i still favor the Celestion Vintage 30... :-)....
http://www.loudspeakersplus.com/html/guitar_guide.html#Anchor-Celestion-49575

5th String Root Bar Chord

This is a continuation of the 5th string root bar chord,that was recently posted(below).And,i talked about the 5th string Major shape bar chord.This will include the Major and minor bars.Go below to earlier post to get suggestions that will help in playing the new shapes.The main thing to know is that the minor 5th string root bar is really just an extension of the open minor shape.In this case the A minor.You simply move the shape up to the 12th fret,and bar with the first finger.In all keys the name of the chord will be the note played on the 5th string,hence,5th string root!

Premier Guitar...Vintage Guitar Road Show

http://www.premierguitar.com/Video/20081121/446/Reunion_Blues_Vintage_Guitars_Show_Part_1.aspx

5th String Root Bar Chord

Let's talk about the 5th String Root Bar Chord.It includes 5 strings/5,4,3,2 and 1.The 6th string or the biggest string is not played,normally.This chord,the Major,is barred with fingers 1 and 3.The 1 finger barring five strings and the 3 finger barring three strings.It comes from the A Major shape Open chord.You simply move the A bar up and bar 5 strings 2 frets behind the 3 string bar....got it!Just check out the diagram below!Bar chords are "movable"chords.They can be moved up and down the fretboard,unlike the open chords.You would need a capo to move them otherwise.Also,using bar chords means you can now play in all 12 major and minor keys.
The best way to practice is to play it up and down the fret board to the 12th fret and back down. (You may not be able to do this on some guitars. In this case, just go as far as you can. Say, to the 10th fret.) And remember, repeat the name of the chord out loud as you play it. You'll have to do this over and over so you can remember the name and what fret it is played on.
Use sharps going up and flats coming down.

* Going up - A(open)-Bb-B-C-Db-D-Eb-E-F-Gb-G-Ab
* Coming down - A(barred/12th fret)-G#-G-F#-F-E-D#-D-C#-C-B-A#

Remember, this bar chord is based on the open A shape.
remember...the 6th string is normally...not played.And 1st finger is barring 6 strings while the 3rd finger is barring strings 4,3 and 2.Try and pull your wrist down and out while playing this shape,it will help get the bar to work,and lays the fingers down on the fretboard!Also,slant your hand to the left!And most important is....PATIENCE
We will talk about the 5th string minor bar shape next.

For The Curious

http://www.cafepress.com/gregwaters

Crate V-Series Best Bang For Buck

I have been reading and looking at the Crate V Series guitar amps recently and have decided they are the best bang for the buck in amps.The 18 watt/1-12 model got great reviews and the prices are great too.It is a Class A amp with 2 EL 84 power tubes,my favorite.It is a single channel with Master volume and reverb,and ALL TUBE.The EL 84's have a warm sound,with a softer attack,than say a 6L6.If you are looking for an amp to play metal,this is probably not the amp for you!This is more your traditional sounding amp,ala,Clapton,AC/DC.And the clean is "chimey" highs.Um...i'm getting excited just hearing it in my head!But seriously,for what you get ,average street price,around $178.00 is an all tube amp with reverb and 18 watts of warmth.That folks is a great price!

More on new V-Series features!

* 18 watts RMS
* Class A, all tube circuitry
* 1 x 12" speaker
* Single Channel with Master Volume
* 2 x EL84 output tubes, cathode biased
* Spring reverb
http://www.crateamps.com/products/pindex.php?prodID=2

San Francisco Blues Festival

The Annual San Francisco Blues Festival is the longest continuously running blues festival in the United States.And over at ModernGuitars.com site,there are some killer photos,so check them out...(Johnny Winter above)and Thanks Michael Shea for some great pics!
http://www.modernguitars.com/archives/004671.html
Michael Shea's personal collection of guitarist pictures... http://www.crosscutsawphoto.com/opening%20picture%20page.htm

The Circle Of Fifths and Fourths...Sharps and Flats

This post will aid in the previous post.I talked about the Ionian mode or the Major scale.
Well the Circle of Fifths is used to tell you the sharp keys.if you move clockwise you will see the movement in 5ths,beginning on C.And if you move counter clockwise,beginning with C,you will be moving in 4ths,or the flat keys.So when playing the pattern of the Major scale in whole and half steps,after C,move to the first sharp key(clockwise,starting on C) or the key of G Major.G Major has one sharp,F#.The next key,or the 5th of G is D.It has 2 sharps,etc.Now if you start on C and go counter clockwise,and move in 4ths,you will have F as the first key,it has one flat,B flat,etc.It is basics that you know about this Circle of fifths and fourths.So,do your wood shedding and get it learned!Scales and the Circle of 5ths
Taking a scale through the circle of 5ths is an essential form of practice for aspiring lead guitarists. Here’s how to do it:
1. Begin by playing any of the scales or modes in this guide in the key of C. Play it ascending and descending in position.
2. Switch to the key of of G and play through the scale or mode ascending and descending.
3. Repeat step 2 in each key of the circle of 5ths, from D to A to E, and so on.,then the flats or 4ths.
Also...Chord Progressions and the Circle of 5ths....
You can use the circle of 5ths to create chord progressions. However, in general terms, no more than three or four chords on the circle are used in any particular key. For example, starting with C and picking a chord from either side (F from the left and G from the right), you have the chords that make up the I–IV–V progression, the most popular progression in rock, blues, and folk.

Quick Music Fact...The Ionian Mode

Hi...the Ionian mode is actually the Major scale.It's the basis for Western music.
The sound of this scale is the basis of most Western music.It's formula for whole and half steps is...
Formula: 1 2 3 4 5 6 7 8
Construction: W W H W W W H
(whole step is two frets apart,half step is one fret apart)
Remember this formula of whole and half steps,and you will be able to play the Major scale in any key
Then get to work on memorizing the notes in each of the Major keys(including sharps and flats)...

The Wah-Wah...Solo From Sing To Scream

The wah-wah can be a very useful effect.Along with the typical use of it...wacka-wacka,it can be used as an active type tone control.When in the up position it creates a dark hollow tone,and in the down position it can make your solos reach new horizons.And all in between are more tones!
I did an earlier post on the wah-wah,but in this one i am including more guitarist that have used the wah-wah.Everyone knows of Johnny Guitar Watson,along with Curtis Mayfield.They both are legends in the wah-wah world.But here are some more,with the songs that the wah-wah was used on....
Frank Zappa extensively used a wah-wah pedal but did not always use it in the conventional way of rocking it back and forth. Zappa often left it set in different positions to get different tones, using it as a filter or distortion device. He also often used the pedal in combination with the acoustic guitar.
Jimi Hendrix did much to popularize the wah-wah in the late 1960s. Possibly the most iconic track of all time using a wah pedal is "Voodoo Child (Slight Return)" which heavily used at the time, an original Vox Clyde McCoy Picture Wah. The song "Little Miss Lover" introduced percussive wah-wah effect, made by muting guitar strings. This effect was later used by many funk and soul musicians throughout the 1970s including Rufus' "Tell Me Something Good" (which also includes the Talk Box effect) and James Brown's "The Payback".
Eric Clapton first played wah-wah with Cream on "Tales of Brave Ulysses" on the Disraeli Gears album and used it for both background riffs and an extended solo on "White Room". Clapton used a Vox Clyde McCoy Picture Wah in Cream. Clapton also used the pedal for his guitar solo in Blind Faith's "Presence of the Lord" as well as his solo-era classic "Bad Love" from the album "Journeyman".
Jimmy Page of the band Led Zeppelin sometimes used a wah-wah pedal in an unorthodox manner. Instead of rocking the pedal to produce the wah tone, Page kept the pedal depressed, producing a wah tone that was much sharper. He does use the wah in a more traditional manner on songs like "Dazed and Confused" from Led Zeppelin's first album, "No Quarter" from the Houses of the Holy album, and "Custard Pie" from the album Physical Graffiti .
Slash of Velvet Revolver (and formerly Guns N' Roses) is famous for his use of the wah-wah pedal and received his own signature Dunlop Crybaby in 2007.

Drummer Mitch Mitchell Passes

The drummer for Jimi Hendrix,Mitch Mitchell has passed.He was a force to be reckoned with on the drums.He was the group's last surviving member.He was found dead in his hotel room early Wednesday,he was 61.Jimi Hendrix passed in 1970,and the bass player Noel Redding passed in 2003.Mitch Mitchell died of natural causes,and he was actually doing an Experience Hendrix Tour gig!Mitchell was a one-of-a-kind drummer whose "jazz-tinged" style was influenced by Max Roach and Elvin Jones.The work was a vital part of both the Jimi Hendrix Experience in the 1960s and the Experience Hendrix Tour that ended last week, he said.There is a great tribute site with great pics,mp3 interviews,music chronology,even drum transcription.It is... A TRIBUTE TO MITCH MITCHELL: http://www.mitchmitchell.de/mitch/mitchindex.htm

Berklee Goes To Spain

Berklee College Of Music is creating a school in Valencia, Spain.The building looks pretty awesome.And they are calling the program "Rock Goes To Harvard",or something like that.Berklee has REALLY changesd since the short while i went there.It was quite an experience,and talent and info just oozing out everywhere.And the practice rooms,well,you could walk around and hear any style of music being played,any.But the knowledge that is floating around is incredible,to say the least.But just let me present this section from the article in Wired online....
You might think the music industry's heavily-publicized woes would scare kids into more financially stable lines of work -- say, brokering stocks or managing hedge funds. Those aren't the greatest examples these days, but still, given shrinking labels and dwindling sales, the music industry seems like a hard place to get a foothold. Nonetheless, budding musicians continue to be drawn like moths to the flame of the Berklee College of Music in Boston, where applications for Fall '09 matriculation are up 40 percent according, to Larry Monroe, the school's vice president of international programs, and popular subjects include music theory, composition, performance, music management, music education and even music therapy. The Boston location turns out 800 graduates each year, while the Valencia location will produce smaller classes of 250.
Humm....i tend to agree,a bad time for the music industry as a whole,and,by all observations,will be getting worse!Ha...if you love your instrument and music,go for it,but i would be careful in what i chose for subjects.And the mentioning of the increase in students,40 percent up!So a lot of dreaming going on!Now here is another section in the article.I tend to TOTALLY agree with this passage....
"There isn't a country in Europe that doesn't have great conservatories," he explained, "but what we found from doing market research is that there are an awful lot of graduating students from, say, a classical composition school, who've learned to write for symphony, chamber orchestra, ballet and so on, who want to enter the world of film music, or want to get into writing for videogames -- all of the places in contemporary music where the electronic entertainment industry is lurking. And what you learn in a conservatory just isn't going to help if your first movie is a contemporary detective story and they want a funk background in the opening scene."
I also attended classes for classical guitar and studied privately,and this is SO true.The majority of students in my classes were LOST when it came to other styles of music...totally.And...take their sheet music away....well,you get the picture.Although i do totally support sight reading,you got to use your ears some too,and "feel" and be familiar with the other styles of music.
And Berklee like all other businesses has to stay afloat financially.So i can see where offering additional courses outside the norm,or old school,would be beneficial.With times like they are,it is amazing their 40% increase in students!But i remember Berklee as a place for those musicians who were seeking a higher form of music/jazz and one that required improv skills and knowledge of substitution and feel....
http://blog.wired.com/music/2008/11/building-the-mu.html

Guitarist Steve Morse Warm Up Tips

Steve Morse goes way back with me,to the days when i would see him perform for seventy-five cents!Yep thats right!Back when his band was The Dixie Dregs,and he was doing tunes like Refried Funky Chicken.If you can find it,get the album Freestyle.He is such a versatile player,you name it,he can play it.And in watching this video he seems to have actually slowed down some.And that,i guess,come with age and a different perspective on playing.But he still blisters the neck....trust me.He also played with Kansas,one of my favorite rock bands,and now i guess Deep Purple.This video also shows you just a pinch of his talent,and the warm ups....well,like i said...SLOW.

www.stevemorse.com

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Guns N' Roses Drummer Talks About 'Chinese Democracy'

I had to share this video(EQ magazine/tv) with you.It speaks of the drummers experience recording Chinese Democracy.He mentions how the original drummer had played all the tracks and now he was to play...lick for lick,the same songs,just with "his" feel.So he got Sony to transcribe all the drum tracks for all the songs,so he could play them exactly as the other drummer,and he had to record each song "all the way through",not just a section at a time.He said Sony sent him the transcribed drum music,which was a stack of sheets more than a foot high :-)!Needless to say...it took him 7 months to complete the recordings...a cool video.
http://eqmag.tv/index.html?req=1&station=eqtvbrain&video=eqtv/inthestudio/eqtv_l07_braincd
Guns N' Roses site www.gnronline.com

For The Curious

http://www.cafepress.com/gregwaters

Review On The... Carvin X-100B Amplifier & Cabinet

I personally think you get a lot of bang for the buck over at Carvin,so check them out!
http://www.carvinguitars.com/
This is the Carvin X-100B,it is a reissue and it got good reviews,so read on.The review was over at Premier Guitar,a cool and informative ezine.
The Specs...
The front panel, from left to right, starts with controls for Power; Standby/Operate; Lead/Rhythm EQ selector switch; and a five band graphic with shelving frequencies for 75, 150, 500, 1.5 and 3K bands with a range of plus or minus 18 db. This is followed by Reverb, Presence, Treble, Middle and Bass tone controls. Next, we have an overall Master volume with a FS Boost mini toggle switch. A Lead master volume follows with another mini toggle for Gain boost. Lead Drive and a mini toggle for channel selection and a Rhythm volume with a bright mini switch finishes up the front control plate. The guitar input jack is located on the right side of this panel.....read on
http://www.premierguitar.com/Magazine/Issue/2008/Nov/Review_Carvin_X_100B_Amplifier_Cabinet.aspx

Quick Music Fact...Microphones

A quick music fact today is....my favorite,and most other guitarist,mic for recording electric guitar is a Shure SM57 microphone.If you want the sound darker place the mic on the outside edge of the speaker,and for a brighter sound,place in in the center.

Quick Music Fact....Pentatonic Scales

Here is another quick music fact.The word "penta" means "5" in Greek.So the pentatonic scale is a five note scale.

Mackie...Guitar Amp !!!

Ok...i have owned some Mackie mixers,and used them for live gigs and recording mixers,but...a Mackie guitar amp,Mackie VT12 Amp?And the Mackie 12 channel mixer i used for recording along with a Studiomaster mixer,well....STERILE!Great for live but not for recording!So,i am a little leary of a Mackie guitar amp!It has a pre amp tube section that is independent of the onboard digital effects section.So i guess you can go just analog or analog with digital combined.The master volume goes from 1 watt all the way up to 120 watts,and a speaker custom made by Celestion.Anyway check out the video from Premier Guitar and maybe get back with me and tell me/us YOUR opinion.....Oh...and the price?????!!!!!!!
http://www.premierguitar.com/Video/20081029/378/AES_Show_08_Mackie_VT12_Amp.aspx

The Man...Danny Gatton

Danny Gatton has been a long time favorite guitarist of mine.He is incredibly versatile!And his playing can sometimes have a lot of humor in it.He unfortunately is no longer with us,but his playing lives on!Enjoy this little sound byte of his playing.He played so,so many styles/licks!If you are listening Danny,my hat goes off to you my man..........

http://www.dannygatton.com/ ...The premier web site for the late guitar virtuoso Danny Gatton. Known as the Master of the Telecaster, and the Humbler, Danny transcended rock & roll, rockabilly, jazz, and country to create a unique style best known as Redneck Jazz. Danny was a jack-of-all-trades in the music genres, and a master at every one of them.

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=172614892 ... MySpace page

Korg AX10G Effects Pedal...Wow

I was just listening to some sound bytes of the Korg AX10G guitar pedal.....wow!It is a compact multi-effect processor that packs a ton of dead-on amp and effect models generated using Korg’s highly acclaimed “REMS” modeling technology. Plus, it also comes with a built-in expression pedal for realtime control of your sound.Though being very basic in it's switches,only 2 with an additional real-time pedal for like wah and other effects,it still,for the price sounds great for an at home just practice type scenerio!Just plug into your break out box or practice amp and voila,access to some pretty cool sounds.And the price,well,on eBay...$50.00!!!Yep,thats right,it retails for $250.00 and street price around $150.00.I am comparing this to Zoom and others and it is a deal.A lot of great sounds for the price.Though it would be hard to use live for me.I require instant access to at least 10 unique patches for an average copy band playing variety,so i use a MIDI pedal with a 10 switch face.This gives me instant access to all 10 patches without having to go to another bank.But for home practice,the sounds and the price...wow!Here is a list of the goodies...
AX10G: Built-in Effects

• PRE FX（3)：COMP, WAH/A.WAH, ACOUSTIC
• AMP TYPE（11）：EQ, BTQ CLN, BLK212, TWD410, AC15, AC30TB, UK’70S, UK’80S, UK MDN, RECTO, FUZZ
• MODULATION（11)：CHORUS, FLANGE, PHASER, TREM, ROTARY, FEEDBK, PITCH1, FILTER, U-VIBE, TALK, PITCH2
• AMBIENCE（11）：SLAP, ECHO1, ECHO2, PP DLY, MULTI, AIR, ROOM, HALL, PLATE, SPRING
•NR (Noise Reduction) and Tuner

And here is the Korg link for details and sound bytes.Also for a guitarist not requiring as many patches to perform live it would be a great,inexpensive pedal to use!And check out the Marshall,Vox,Flange and Talk sound bytes....cool.And of course,the guy playing ain't shabby either!Again for the buck,the Korg AX10G is a big bang.
http://www.korg.com/gear/info.asp?a_prod_no=AX10G&category_id=6

AC/DC Black Ice Expected to Reach 800,000 In Sales...

And that's in it's first week...800,000.And also after 500,000 downloads before the Black Ice cd was released!
AC/DC's Black Ice is flying off the shelves at Wal-Mart and Sam's Club, the exclusive U.S. retailers for the album that arrived yesterday (Oct. 21). Sources estimate the set sold 193,000 copies in its first day of sale, and could move upward of 800,000 in its first week....
http://www.knac.com/article.asp?ArticleID=6611
http://www.acdc.com/index_album.html

Eminem...The Greatest Ever... Tee

The New Eminem Tee... http://www.vibe.com/style/council/2008/10/the_new_eminem_tee/